Saturday, April 4, 2015

Blog 10

During this course, I have learned a lot about Creative Non-Fiction, and I have corrected a lot of my personal misconceptions.  I came into the class thinking that creative non-fiction included all of the science and medical history books that I enjoy reading during my leisure time.  Now, after having read solid examples of CNF from both my classmates and professional authors, I can see that some of these science books are not CNF, although some are.  I also thought that I could come in here and bang out some glorified research papers with a couple pretty words and metaphors thrown in; in fact, I was looking forward to it.  It made me realize that my own amassing and expression of strange nature knowledge was just another mode of avoidance/escape, similar to my fiction writing.  I feel that my skill for writing fiction evolved out of a necessity for ignoring or altering my own reality.   After talking with a friend and fellow writer who is just awesome with CNF, I learned that I had to be more sincere and vulnerable with my CNF essays in order to be successful.  I took her advice in my second essay and was met with a great response.  It was not easy, though.  I hate "facing the dragon" of my mother's death and my true feelings about many other topics, including how vicious my inner critic can be.  I see now, though, that sincerity is the element that links all great personal essays together.  I still feel that I need to work on "looking directly into the sun," though.  It goes against every one of my gut feelings about writing.

Another element of CNF with which I feel I have improved is form and structure.  I have learned the proper implementation of the segmented essay structure, and by emulating some of my favorite Latin American authors, I was able to find fun, effective forms for the segments.  For example, the first segment in my second essay uses a technique gleaned from Gabriel García Márquez’s short story, "Dialogue with the Mirror," and the cyclical form of the first segment in my third essay borrows a technique from Julio Cortázar’s "Continuity of the Parks."  The fun and excitement of using these techniques made dealing with my emotions much easier.
   
 

3 comments:

  1. I also came into this class having a different idea of what CNF was. It is quite the opposite haha. It's way more expressive and flexible than I thought. There is so many different ways that you can write CNF and that's the interesting part!

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  2. I feel that after so many years of being taught to write in an academic form, we all feel al little surprised about CNF. Both the writings that I read of yours were great but I really enjoyed your piece on your mother. The way you brought together your life and the gamer world was brilliant. I think you are a great writer.

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  3. Katherine you are a fantastic writer and you have opened up about so many hard experiences in such beautiful way. It was hard opening up about feelings, I am so awkward when it comes to that stuff, but it got easier once the writing process started. So happy you got to improve from this class!

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