My
reasons for reading creative non-fiction may be a bit more ignoble than many
others’. For me, it comes down to
anxiety. I write a lot of fiction, and I
also tend to be my own worst critic.
Sometimes it gets so bad that I am legitimately unable to read fiction
without my inner critic assaulting me; each paragraph becomes ammunition for
the critic to say “See that? That’s what
good writing looks like. Not that you
would ever know.” Or “Gee, isn’t that a similar technique to the thing you
tried in your last short story? This
author got it right, but you really effed it up, didn’t you?” Needless to say, concentration becomes
impossible in that sort of mental environment.
Seeing that I like to read before bed, and relentless self-doubt is not
conducive to the relaxation required for such an activity, I started turning to
CNF for my bedtime stories. CNF keeps
the critic quiet while still allowing me to enjoy a good book and learn. As a reader, I gravitate toward CNF books
about science, nature, and medical history.
I am particularly fascinated with parasites, which sort of encompasses all
three of those categories. Three CNF
authors that I particularly enjoy are Sherwin B. Nuland, Carl Zimmer, and
Siddhartha Mukherjee. Aside from some past
essays for classes, which I can now see may have employed some CNF elements, my
previous blog post about fidelity and schistosomes is my first foray into the
world of writing CNF. So far, I’m having
fun. I just hope the critic doesn’t
catch on to me and force CNF out of my reading regimen.
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